In the studio this week... Flyer design for a swimming pool company
Phew! It's hot.
Phew! It's hot.
It's not often that I get to flex my design muscles for client jobs. I usually leave them in the incredibly capable hands of my design team: Caroline, Rob and Chloe. But this month I fancied a challenge! Claire Brown runs successful gardening company Plantpassion and came to us with an exciting brief:
I went to the dentist today. Now I don't mind going to the dentist, but we've just moved to a new practice and I walked in to the surgery in a foul mood. Why? Because the last time I went the dentist was 25 minutes late, failed to apologise for this and was, frankly, rude.
If you're serious about your business you'll agree that having a logo that sends out the right signals is an essential part of attracting, engaging and retaining the right sort of clients. But many business owners make the mistake of thinking that once they've ordered their lovely logo they can put a tick in the box thinking that their rebranding is 'done'!
I redesigned our blog a few weeks ago. Originally it was calming pastel greens which fitted with our old branding, but as we moved our brand forwards (evolved rather than throwing the baby out with the bath water) I knew I needed to update the colours and style.
Do you write letters to your customers? Do you ever create case studies, feedback forms or documentation for your business? How about newsletters? Do you write or design those? Downloadable reports, checklists or articles for your website?
I'm well known for my disparaging views on the use of Verdana, Arial and Times New Roman for printed marketing literature. The fact is that they are standard, common fonts that make your business literature look un-designed and un-inspiring. Now most people will accept that there are better fonts than Times and Arial, but the most common retorts I get when it comes to Verdana are "but I have to use it, it's easy for dyslexics to read".
I'm well known for my disparaging views on the use of Verdana, Arial and Times New Roman for printed marketing literature. The fact is that they are standard, common fonts that make your business literature look un-designed and un-inspiring. Now most people will accept that there are better fonts than Times and Arial, but the most common retorts I get when it comes to Verdana are "but I have to use it, it's easy for dyslexics to read".
Flicking through my local village magazine I'm astounded by the number of businesses advertising.
That’s a
really good point. Start by thinking about what you want your leaflets to
achieve. Think about who you’re talking to, what their problems are and how
your product or service solves them. Now make a list of what you need to tell
people in order to get them to buy. So often when we write copy we fail to
follow a basic rule, which is that your copy should mirror the sales process.
You need to attract attention, show people how they’ll benefit, really make
them want the product, reassure them they’re not making a mistake and ask for
the order. If that seems like a lot to remember, think of AIDCA:
Attention:
you have less than three seconds to grab attention. Do it with a compelling
headline.
Interest:
what do your audience need to know (make sure you tell them about what they
want to hear, not what you want to tell them).
Desire: what’s the impact of them buying/ not buying. People buy for fear or greed. Which does your product satisfy?
Conviction: how can you reassure them they’re not making a mistake? Testimonials and endorsements are great here, as are trade body memberships, but the real gold dust is the 100% no quibble money back guarantee.
Action: what do they need to do next?
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